Janatha Garage

1467875203-1879It’s been long time since I have written about some movie especially about a Telugu movie, well now I got a reason to come back and write again. The reason being the awesomeness in Janatha Garage script and casting. With recent lame and lackluster films made in Telugu, Janatha Garage came as an energy drink to lit up the dead enthusiasms in talking about Telugu movies.

I am not going to talk about what the story is about, how the cinematography is and reg the performances etc etc as it is irrelevant as by now you must have understood that I felt that the movie is superb. In the same way the script was also handled keeping the unnecessary elements out of focus (emotional dialogues, sentiments, love). Director main focus was the characterizations; build the character and take us thru it to show what his characters are upto.

When you show the intent of any protagonist of the movie, you should stick to it and should not deviate from the motive on which the character is built. I felt that is what Koratala Siva has done exactly which most of the directors often miss (or missed in recent Telugu films).Like in this movie, the main motive of the two leads is to help people and that is what needs to be shown on how they are going to achieve it. There are no family sentiments, attachments, as when a person is shown what his goal is focus on it.

Spoiler ahead – For example, when Anand(NTR) knows that Satytam(MohanLal) is his father’s brother, there is no emotion shown as Anand doesn’t have any attachment with Satyam’s family and no emotional dialogues between them. It was like, nothing personal just business and their business is to help people. Also when he comes to know that his parents are killed by someone, there is no revenge drama as that is not what he signed up for before joining Janatha Garage.

And with the last Dialogue the director killed it, and even when credits rolling , the director did not lose his grip on script and its understood when Anand’s aunt refrains Anand from going to help someone with some problem  as it’s a festival and Anand replies “ The festival is not celebrated at some one’s home”. Zhumm phat..

Two things to be mentioned apart from Astonishing performances from two lead characters and the  director’s skill, it’s the role NTR Jr decided to play far from his over the top, star image roles and last but not the least the back ground score.

A big thumps up for #JanathaGarage.



| Leave a comment

Baahubali- The “Perfect” Beginning

baahubali-the-beginning-759I would like to start off with saying that I have seen today an epic masterpiece. For sure Baahubali will be a blockbuster. Contrary to some opinions who say that the first half is boring and bit dragging, I would rather say the first half is the perfect stage for the establishment of the protagonist, antagonist and the related characters. The prelude was scripted in a perfect way that we cannot take any flaws out of it. Perfect sense of imagination of the director is the reason of what I witnessed today.

I have seen few opinions quoting that first half was bit dragging, but in my opinion all I can say is people who felt that are waiting for action sequences right from the beginning of the titles , but any storytelling cant be that straight, they need to establish the characters, set a rostrum and take the protagonist towards his destiny. For example (spoiler ahead), Shivudu ‘s (Prabhas) inspiration is Avanthika and goes in search of her and that fascination will lead him to the top of the mountain. This is a perfect stage set for the protagonist showing to the audience that he is just another common man and no ideas of being a leader or for that matter a king.

Now coming to the opinion of the abrupt ending as some say, all I can say, it is the perfect ending what I would have expected for. I would rather not think any other perfect way to end the first part. Spoiler ahead*, I never expected that he* would be the culprit who killed Baahubali. That’s a twist I would expect if I have to watch the next part. (Dangerous Spoiler ahead*), If Katappa mentioned Ballaladeva as the culprit who killed Baahubali, and then the next story would be very much anticipative and predictable. This ending will keep audience guessing and make people wait and watch for the next part (the way how the American TV series are made, suspense at the end of the episode).

And coming to the VFX, CGI, I wouldn’t care much, I watched Baahubali for story, screen writing, the content and the originality viewpoint, albeit I would choose any other animated movie for visual effects. And CGI, VFX – we all know that they are just a decorative effort to make the situation look real. I can say that this movie should not be seen as an AVATAR rather should be seen as LOTR where story telling weighs more than the visual effects.

And the mere spectacle in the movie which still running in my head is the battle sequence, a top notch imaginative mind will only make things look that good like this battle scene. Not to forget the spectacular performance by Prabhas, Rana and Ramya Krishna (should be specially mentioned). And yes I dialogues were little undermined and music was mediocre (Rajamouli, although going by the norm composer didn’t add more value to the movie)

I would like to conclude saying that Baahubali has everything that a blockbuster movie should have and a spectacular movie making skills will be witnessed in this grandeur and I accept RGV’s words – one should have balls of steel to make such movie in India and the success should not be weighed through the money it churns.


pk -it’s ok

pk-movie-2014-newEver wondered how our country would look like to someone not human? Yeah, I could be talking about a dog or robot, but just to make the script interesting, it’s an alien. How would an alien react to all the diversities in our society while trying to interpret and communicate with us? It must feel strange and unique to not belong to any religion on this land. This film shows us that precisely – a look at our society through a lens free of religious shades.

Aamir Khan plays an alien in the movie that loses his radiant pendant like alien ID, which AK refers to as his property, to a thief. A Hindu God man gets his hands on AK’s property and claims that it’s a piece of Lord Shiva’s damaruk, fooling his followers as always. Meanwhile, AK ends up believing that only God can help him. But he is all at sea about how to appeal to/please Gods from different religions. How AK gets back his property forms the rest of the movie.

Now, what make the movie watchable? It’s the Performances, direction and a tight screenplay without many songs. AK is impeccable portraying un-human physical attributes. This is a rare film where the cast, Anushka Sharma, Boman Irani, Sanjay Dutt and others fit their roles almost perfectly. No complaints here. Costumes and styling for AK need a special mention as it adds a unique flavor to AK’s screen presence. Songs and background music are pleasant complimenting AK’s character’s innocence.

Coming to direction, Rajkumar Hirani passes the test easily in taking the subject in question on to the celluloid. He pokes us softly with needle-like questions aimed at the countless Hindu God men our country has. Yes, there are lot of God men in our country who take advantage of God fearing people, but the question which director seems to have forgotten to ask himself and the writers is, are there no proper/uncorrupted Hindu religious gurus in the whole country? Is society not benefitting from the yoga, meditation and other practices (like free food and free schooling for children, take Puttaparthy, Andhra Pradesh) some Hindu gurus preach? (You would be denying science to say No and Western countries aren’t idiots to follow them. Many of Hindu religious practices are backed by science, if not all). And, are all the corrupt religious gurus in our country Hindus? What about the other religions? These are the reasons precisely why the right-wing activists and some Hindu religious gurus are calling upon banning the film. The producers and AK will only benefit from all this drama though.

Politics aside, movie offers an interesting viewing for open-minded people. Weather or not you will like the film depends on your capability to broaden your mind to ignore the above posed questions. Think it over a morning coffee while news about another terrorist attack or a fake religious guru grabs your eyeballs, is PK a film that pushes you to realize the loopholes in the religious system for the greater good or it falls short by shying away from questioning other religions’ preaching and practices?

P.S1: I don’t think Hinduism is to be blamed/questioned for trying to preserve its values and culture by teaching the world its way to God, “peacefully”.

PS2: Can anyone explain what was that Train Blast all about? What, who and Why? It ended abruptly.

—Rahul Y

| Leave a comment

Is Nenokkadine really that Bad?

17-mahesh-babu-1-nenokkadineMy answer is a big “No”. Read my take to know why this is the Best movie in telugu in recent times!

Nenokkadine is a fiercely twisted, complex film built on a solid foundation of character-driven emotion. Those who think of Sukumar only as that guy who makes love stories will undoubtedly be disappointed,but if you’re interested in more than seeing how a psychological thriller is made in Telugu, Nenokkadine delivers. Mahesh’s performance is a critical part of that whole movie and like so much in the movie, it will payoff when the credits roll and Sukumar closes the book on his story. In doing so he leaves us with all the answers we need. My best scene in the movie is ” Here comes my golden rice”, the dialogue and the expression of Mahesh babu was over the top.

Ultimately Nenokkadine is an interesting departure for Sukumar and Mahesh, can understand as the end result isn’t perfect for the fact that the film was crafted by a director who made love stories, acted by a superstar who followed a different genre altogether, that too, in an industry where people like to watch more of a circus than a movie. Personally, I’m one of those movie lovers who appreciates a film that makes me want to watch it again as soon as the end credits have rolled. The climax is the best thing of the movie, finding about his parents was an emotional, intriguing, fantastic sequence that left me astounded while realizing that I have seen the best Telugu movie in recent times.

What might have went wrong with “1” of not being said as a hit in all classes:

Over Convincing:

As a feedback, the film got the reviews that it was too confusing. This occurred because the director tried to over convince people that the actor hallucinates things (for example, the parking fight in London) and many scenes in the first half of the movie. Also, too many scenes showing the female lead fooling the protagonist. Once or twice should have been good but it went on and bored the audience. We can understand that the director was trying to give more screen presence for the actress but it certainly, should not be at the cost of making the movie boring.


Well, no one likes a speed bump when going on a highway, just like that for no reason. Well, this is what happened with this movie. When the story is about to take off, it attains a break to force fit a song. And another important aspect , the songs were not so impressive, at least a certain section who disliked the movie would have loved the movie for songs which unfortunately was not possible.


Before taking on the length of the movie, let’s talk about the line of the story, the theme. I felt the director deviated from the plot to introduce the female lead and show the unnecessary chemistry. The chemistry between the lead pair in first half was given so much importance which would not compliment the intricate story line of Nenokkadine. It was totally off track and in turn increased the film length. Here, I like SS Rajamouli’s take on chemistry, (take Vikramarkudu or Simhadri) he never gives a vital place in the story when unnnecessary, just a song in which hero and heroine would fall in love with each other.


Despite above discussed potential drawbacks, movie is a must watch because the movie has got strengths in the form of Performances, Cinematography , haunting Background score from DSP which made every scene interesting and the best scenes like the Interval sequence and the climax sequence finding his parents and the important thing “Sukumar’s directorial and screenwriting skills”. Well theres so much more to add to the strengths which you can see in the movie and realize.

Mahesh just gets better with each film. There are layers to Mahesh’s performance that should be more evident upon subsequent viewings, but he is one of the few actors who can bring depth, complexity and delicacy to obsessed, often unhinged character like in this movie. Sukumar’s craftsmanship in this movie may be both the best and ironically the worst thing about Nenokkadine, but not to be disputed he made it a far more intriguing than it otherwise could have been. A “1” from Sukumar is still better than most other filmmakers’ best efforts on a similar theme.

PS: Like slow poison, ~1~ will slowly capture your senses to realize how awesome the movie was! Believe me!

Posted in My Reel Experience | 1 Comment